David Walters releases a new music video for the song "Baby Go" off his new album 'Nocturne,' out now on Six Degrees Records. For David Walters, ""Baby Go" tells the story of a passionate and destructive love! It's a song of truce, the search for peace in the face of a relationship doomed to failure. No happy ending in this story, it's a cry from the heart and the search for a new breath. Love is anything but war...The goal is to leave each other gently, Baby Go Slow..." It first debuted with WNYC New Sounds, watch here:
In a cultural moment where the era's best music is characterized by multicultural, polyglot origins and focus on Black identity and culture, "Nocturne" provides a welcome Martinican Creole perspective. Because of the music's innovative, fully immersive nature "Nocturne" will appeal to a wide range of listeners curious to engage with music that while deeply personal resonates widely.
"Never forget our past, our history" so goes the refrain at the end of "Mama" one of the songs from David Walters's bold and affecting release from earlier this year that appeared on his last album "Soleil Kreyol." The song "Mama" returns on his newest album, "Nocturne," out now, in a stripped down version alongside a trio of master musicians: the renowned Malian kora musician Ballake Sissoko, whose previous credits include Taj Mahal and Toumani Diabate; Sissoko's previous musical collaborator, French cellist/bassist Vincent Segal who also appeared on Walters's "Soleil Kreyol" and veteran percussionist, Roger Raspail, originally from Guadeloupe, who through his four decades has performed genres as diverse Congolese funk, Gnawa music from the Sahel and jazz.*
What's striking about Walters's "Nocturne" is that despite the players' diversity and the album's array of musical influences - album standout "Freedom" fluidly moves between Walters's delicate falsetto to a rapped verse in a setting buffered by a pensive cello, interlocking percussion and kora - it remains fully cohesive throughout.
Opener "Papa Kossa" is an album highlight. Immediately ushering us into the album's distinctive mood, which is in part innovative folk - think Mano Negra, albeit with a Martinican Creole base, rather than Spanish - and something uniquely its own: whispered melodies, in French, English and Martinican Creole, set against a bed of encircling rhythms and harmonies.
The Marseille-based composer/guitarist/vocalist David Walters has long created music that transcends fixed borders. Whether as a DJ/producer remixing the Buenos Aires/ Paris Gotan Project; as a founding member of Zimpala - an electro hip-hop collective - or during his travels to Africa, where he studied alongside Ali Farka Toure, Walters's approach has always been refreshingly eclectic, albeit stamped with the imprint of his West Indies origins. Walters is Paris born, his mother is from Martinique, his father comes from Saint Kitts and Nevis.
Dating back to his first releases - some of which appeared on Gotan Project's ¡Ya Basta! record label - David Walters has affirmed and reinvented his Afro-Caribbean musical ancestry, transforming this rich heritage into the foundations of his distinctive musical voice - reinterpreting, for example to "Mesi Bon Dye" by the seminal Haitian composer Frantz Casseus for the label in the early 2000s.* While more than a decade later, Walters visited New Orleans for the "Nola is Calling" project that united musicians from the US, Benin and France.
"Nocturne" is a profoundly moving and intimate listen: a new kind of folk music, with a French/Afro-Caribbean accent, that is modern and ancient at the same time. The new album is out now on Six Degrees Records and available every where, save here: https://idol.lnk.to/Nocturne.
